I can almost not remember it anymore,
but there is something about the way
the light plays through the leaves of the trees
in that grove off to the west that looks like
a sword flashing back and forth, and I feel
a dull ache in my back teeth,
a tingling at the base of my spine,
and a memory deep in my gut
where memories live. The woman
always laughs her raucous laugh at me
when she catches me crying,
but how can I help but weep when I remember
all that we have lost? I wonder at her
paucity of compassion
and the absence of remorse
she demonstrates, as though the loss
means nothing to her. “It means nothing to me,”
she says with that wounding sneer
smeared across her lips. “It’s a story you made up
to satisfy your maudlin need for self-reproach,
as if there is some virtue in atoning for
your invented guilt.
This is the life we are given,
if ‘given’ is even the word for it,
and why you can’t just live this life with me,
with your children,
with your work
and be happy
I’ll never understand.” She thinks
it’s all made up; it’s my imagination
that once we had more, that once
we walked with our maker in the cool of the evening,
that once we lay beside each other naked,
without reserve or apology or shame,
that once we had something but now it has gotten lost,
and the flaming sword I see in those trees somehow
bars the way back. We live in exile
and cannot return. We have lost something
I can neither name nor fully remember,
but I’m sure it’s real.
She scoffs.
For her there is only this moment,
this life,
this history
and none other, and she always becomes exasperated
when the loss she cannot admit is real
makes the tears burn in my eyes. But I can’t help
but notice how she covers herself in skins
even when we are alone together
and how she reddens when I come into the room
unexpectedly. She won’t confess it,
but she feels that ache in her molars as well,
the memory that lives where memories live.
Something is lost,
and how can we ever get it back
if we don’t admit it’s gone?